Amadeus ending

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Amadeus ending

An old man named Antonio Salieri ends up in an asylum after cutting his throat and screaming that he killed Mozart. In the asylum, Father Voglera young priest, visits Salieri and urges him to confess the thoughts that are tormenting him. In response to the priest's pleas, Salieri begins a long narrative that begins in his childhood and ends with Mozart's death.


As a teenager, Salieri is passionate about music, but his domineering father makes it impossible for him to pursue his dreams. His father dislikes music and mocks not only Salieri's passion for music, but also Salieri's musical icon, the six years old prodigy, Mozart. Feeling helpless, young Salieri turns to God. He promises chastity and devotion if God turns him into an exceptional musician whose name and work transcends time. Soon after, Salieri's father dies, and Salieri believes that God has accepted his promise.

The death allows Salieri to study music in Vienna and within a couple of years Salieri becomes a revered composer in Emperor Joseph II's court. Throughout this time in his life, Salieri keeps his promise to God. He is religious, chaste, and generous to others. Salieri's happiness in Vienna comes to an end when Mozart comes to the city. Salieri encounters Mozart at a party that takes place at the residence of Prince-Archbishop Colloredo of Salzburg.

Mozart acts inappropriately with a young woman, and this shatters the grand image that Salieri has of him. Still, Salieri approves of Emperor Joseph's decision to hire Mozart to compose a German opera for the national theater. Salieri soon regrets this decision when Mozart insults a piece that Salieri writes to welcome him to the emperor's palace. Mozart insults Salieri further by sleeping with Katherina Cavalierithe woman whom Salieri admires. Mozart's presence in Vienna puts a strain on Salieri's relationship with God.

Salieri becomes conscious of his mediocrity because of Mozart, and this sense of mediocrity makes Salieri feel betrayed by God. Salieri realizes that, despite his esteemed position in the emperor's court, God has not, after all, fulfilled the prayers from his teenage years. He realizes bitterly that Mozart, the vulgar and infantile man, is the exceptional talent, not him. These revelations cause Salieri great pain, and they lead him down a dark path.

As Salieri descends into darkness, he takes advantage of Mozart's precarious living situation in Vienna. After Mozart severs ties with Prince-Archbishop Colloredo, Mozart only has tutoring positions and his performances as sources of income to support his extravagant lifestyle.

Piano Concerto in D Minor - W.A. Mozart (Amadeus ST)

Salieri knows this and spreads a rumor that Mozart has inappropriate relationships with pupils. The rumor costs Mozart not only the opportunity to tutor Princess Elizabeth, the emperor's niece, but also the opportunity to tutor other young women in Vienna. Salieri also takes advantage of Mozart's naive nature.

Mozart does not realize throughout the film that a large portion of his problems stem from Salieri. Instead, he begins to view Salieri as a confidant. Leopold, Mozart's father, comes to Vienna, but he is not able to do much for his son. He had tried to salvage Mozart's relationship with the prince-archbishop, but Mozart's rash decisions to stay in Vienna and to marry Constanze, the woman who was his companion at the party held at the residence of the prince-archbishop, cause Leopold's efforts to result in failure.

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Furthermore, Leopold does not stay long in Vienna. He leaves after arguing with Constanze over Lorla young maid who claims to have been paid by a mysterious figure to provide services to Mozart's household.Sign In.

Amadeus Hide Spoilers. I'd like to point out a few facts before I review the movie. First of all, Mozart died at home surrounded by his family, pupil and a priest.

Secondly, the plot of Amadeus is not exactly original.

amadeus ending

Rimsky-Korsakov wrote a short opera called "Mozart and Salieri" with the bare bones of the story and the identical characterization of the two composers, and he used Pushkin's drama for the libretto. So, the rumor that Salieri killed Mozart has been around for almost a couple of centuries though we all know there isn't an iota of veracity in it. That being said, Peter Shaffer's movie adaptation of his own play is still an astounding achievement.

Have you ever seen a movie based on your favorite book and come out of the movie theater rather disappointed though the film version faithfully followed the storyline of the book? Amadeus is definitely not one of those movies.

Shaffer clearly understands the difference between stage and film; the story is more elaborate in the movie, and some of the lengthy lines are replaced with more subtle images and close-ups. I'm often surprised to find that people don't get that Amadeus is the story of the fictionalized character, Antonio Salieri, not the real one, who adored Mozart's music but hated everything else about him.

In other words, the movie viewers are seeing Mozart through Salieri's eyes. Needless to say, his view is rather slanted. If you have read Shaffer's original play, you probably remember he describes Mozart's laugh 'grating. Though Salieri speaks in front of a Catholic priest, he is actually having a one-sided discourse with God.

At one point, he declares, "One day, I will laugh at you. Before I leave this earth, I will laugh at you. It becomes obvious as we watch that this movie is called Amadeus because that's what Salieri wished to be--God's beloved. The movie might give some viewers who don't know much about Mozart a wrong impression that he was a cad, and it gives incorrect information on some of his music e. There's no mistaken identity here. Read the title of the song--Countess, forgive me!

Though I am a die-hard Mozart fan, I can laugh at tongue-in-cheek references to Amadeus in other movies. My favorite? In Guarding Tess, a secret service agent tells his partner, "He Mozart 's a jerk. One day, a guy shows up with a mask, and he drops dead.Sign In. Edit Amadeus Showing all 4 items. The Orion Pictures logo, which was seen at the beginning of the film when it was first released theatrically, was not shown when the film played on both cable and commercial television, and is not seen on the VHS or DVD releases.

The director's cut adds the following scenes twenty minutes in total : When Salieri talks of his initial success in Vienna, a section has been added where Salieri describes how he believed God had accepted his vow, and how he honored it, working hard and often for free, while staying chaste.

When Salieri describes his first impression of Mozart's music to the priest, a shot has been added, where Salieri expresses his denial, saying that the music couldn't be anything but an "accident". After that a scene has been added where Salieri and Mozart visits Cavalieri in her lodge.

Caterina throws some surly remarks about Constanze before she too comes and asks that she and Mozart go home. Mozart walks out on Caterina, and the scene goes to Salieri saying that he knew Mozart "had had her". When Salieri asks "What was God up to? After Salieri admits to have started to hate Mozart, a shot has been inserted of Salieri praying, asking that Mozart be sent to Salzburg.

This is immediately followed by the shot of the archbishop telling Leopold that he won't take Mozart back.

Amadeus Summary

After Mozart refuses to submit his work for the royal appointment, a scene has been added showing Wolfgang and Constanze arguing. This establishes that the couple is in need of money. When Constanze goes to visit Salieri in secret, the scene has been extended, starting with Salieri teaching a student. The biggest addition comes after Constanze asks if Salieri will help them; instead of just walking out on her, he says says that she must come to his place, alone in the evening, strongly implying they must have sex for him to recommend Mozart's on the committee.

The scene switches to Salieri praying at his clavichord as Constanze arrives. She begins to undress, with Salieri looking shocked. When she is half-nude, Salieri calls in his valet and tells him to escort Constanze out. Humiliated and furious she throws a candelabra after him. Wolfgang finds Constanze crying in bed at home.

amadeus ending

This explains why Constanze is so eager to throw Salieri out of her home at the end of the movie. Another large section is added where Salieri implies to the emperor that Mozart has been molesting young female students. This results in someone else getting the royal appointment. Mozart comes to see Salieri, receiving the news. Mozart asks Salieri for a loan, again establishing that he needs money. Salieri recommends Mozart give lessons to a Herr Schlumberg's daughter. The lesson however turns out a major frustration for Mozart, with Herr Schlumberg's dogs howling and causing a ruckus.

This is followed by a shot of a drunken Mozart again visiting Herr Schlumberg, asking if he may give lessons and - when denied - asks for a loan. That request is denied as well. The original theatrical version contains a brief moment that is absent from the director's cut. Just after Salieri is seen burning the crucifix, there is a cut back to old Salieri in which he finishes his monologue with "I will ruin your incarnation.

The DVD release of this film contains the theatrical cut. All subsequent releases including the Blu-ray format contain the director's cut.

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Favorite Movies of All Time. Share this page:. Clear your history.The life, success and troubles of Wolfgang Amadeus Mozartas told by Antonio Salierithe contemporaneous composer who was insanely jealous of Mozart's talent and claimed to have murdered him.

For an enhanced browsing experience, get the IMDb app on your smartphone or tablet. Get the IMDb app. Prague Milos Forman's native city was ideal as a stand-in for Vienna, as modern television antennas, plastic and asphalt had rarely been introduced under Communist rule. Antonio Salieri : Mozart! Mozart, forgive your assassin! I confess, I killed you Near the end when the bed-ridden Mozart is dictating a movement of his Requiem to Salieri, he tells him to write the bass instruments' notes as the "tonic and dominant" pitches in the key of A minor.

But the notes that play, and the notes that actually appear in the score, are the tonic and sub-dominant. The Orion Pictures logo, which was seen at the beginning of the film when it was first released theatrically, was not shown when the film played on both cable and commercial television, and is not seen on the VHS or DVD releases. Adulting can be hard. Watch the video. Sign In. Added to Watchlist. Murray Abraham. Tom Hulce. Wolfgang Amadeus Mozart.

Elizabeth Berridge. Roy Dotrice. Simon Callow.

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Emanuel Schikaneder. Christine Ebersole. Jeffrey Jones. Charles Kay. Count Orsini-Rosenberg. Kenneth McMillan. Michael Schlumberg Director's Cut.The life, success and troubles of Wolfgang Amadeus Mozartas told by Antonio Salierithe contemporaneous composer who was insanely jealous of Mozart's talent and claimed to have murdered him.

Antonio Salieri believes that Wolfgang Amadeus Mozart 's music is divine and miraculous. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. He began his career as a devout man who believes his success and talent as a composer are God's rewards for his piety. He's also content as the respected, financially well-off, court composer of Austrian Emperor Joseph II.

But he's shocked to learn that Mozart is such a vulgar creature, and can't understand why God favored Mozart to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is ready to take revenge against God and Mozart for his own musical mediocrity. Claiming to have murdered the composer Wolfgang Amadeus Mozartthe elderly Antonio Salieri recounts to a priest his dealings with the brilliant composer.

The Emperor, a major patron of the arts, immediately commissioned Mozart to write an opera in German, rather than the customary Italian. Mozart is childish, arrogant, annoying and brilliant all at once and Salieri is simultaneously in awe and green with envy at his genius. Salieri uses Mozart's difficult relationship with his father and his guilt over being a bad son to drive him slightly mad and into a downward spiral of ill health, leading to his death.

It is the early 19th century. An old man is thrown into an insane asylum after trying to commit suicide. He is Antonio Salieri and in the asylum he is visited by a priest, to whom he confesses that he killed Mozart.

Mozart appears at the court and is hired by the Emperor to produce an opera. His genius is quite evident. Salieri is a devout Christian man and believes all musical talent and inspiration is given by God.

Mozart's personal life and extracurricular activities appall Salieri. He cannot reconcile Mozart's talent and his lifestyle and sets out to drive him from the court. Initially his aim is to undermine him but over time his intentions turn deadlier. Wolfgang Amadeus Mozart is a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri.

Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men.

Sign In. Edit Amadeus Jump to: Summaries 5 Synopsis 1. The synopsis below may give away important plot points. Edit page. Favorite Movies of All Time. Share this page:. Clear your history.The story is set in ViennaAustria during the latter half of the 18th century, and is a fictionalized biography of Wolfgang Amadeus Mozartdescribed by its writer as "fantasia on the theme of Mozart and Salieri".

Mozart's music is heard extensively in the soundtrack of the film. The film stars F. Amadeus was released by Orion Pictures on September 19,thirteen days following its world premiere in Los Angeles on September 6, As of [update]it is the most recent film to have more than one nomination in the Academy Award for Best Actor category. Inthe American Film Institute ranked it 53rd on its Years Inthe film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

An elderly Antonio Salieri confesses to the murder of his former colleague, Wolfgang Amadeus Mozartand attempts to kill himself by slitting his throat.

Two servants take him to a sanatorium where a priest, Father Vogler, implores him to confess. Salieri recounts how, even in his youth, he desired to be a composer, much to the chagrin of his father. He prays to God that, if he will make Salieri a famous composer, he will in return promise his faithfulness. Soon after, his father dies, which Salieri takes as a sign that God has accepted his vow. Mozart arrives in Vienna to perform at the request of his employer, the Prince-Archbishop of Salzburg.

Salieri attends the performance to meet Mozart and, despite Mozart's obscenity and immaturity, finds his talent to be transcendent. The Emperor desires to commission Mozart to write an opera and, despite the reservations of his advisers, summons him to the palace.

Mozart happily accepts the job, much to the annoyance of Salieri. Salieri believes that Mozart has slept with the star, Caterina Cavalieridespite his engagement to Constanze Weber. The Emperor desires that Mozart instruct his niece, Princess Elisabethin music, but Salieri discourages him from doing so.

Constanze visits Salieri to persuade him to make the Emperor reconsider, but she is unsuccessful. Salieri is enraged that God has bestowed upon Mozart the talent he has so desperately desired and vows to destroy Mozart. Mozart, meanwhile, struggles to find work and begins drinking. His father, Leopold Mozartcomes to visit him in Vienna. Constanze and Mozart take Leopold to a masked party which Salieri also attendswhere Mozart entertains the guests with musical antics. Leopold disapproves of his son's hedonismand the family argues until Leopold leaves town.

Salieri hires a young girl to pose as the Mozarts' maid while spying for him. She takes him to the Mozart residence, where he discovers that Mozart is working on an opera based on the play The Marriage of Figarowhich the Emperor has forbidden. When Mozart is summoned to court to explain, he manages to convince the Emperor to allow his opera to premiere, despite Salieri and the advisers' attempts at sabotage. Messengers arrive in Vienna with news of Leopold's death, and in response a grief-stricken Mozart pens Don Giovanni.

Salieri recognizes the dead commander as symbolic of Leopold and hatches a plan.

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Salieri plots to kill Mozart once the piece is finished, then premiere it at Mozart's funeral, claiming the work as his own. At a parody of one of Mozart's own operas, Emanuel Schikaneder asks Mozart to write an opera for his theater.

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Mozart, desperate for money, obliges, despite Constanze's insistence that he finish the Requiem Mass.Amadeus is a play by Peter Shaffer which gives a fictional account of the lives of composers Wolfgang Amadeus Mozart and Antonio Salierifirst performed in It was inspired by Alexander Pushkin 's short play Mozart and Salieriwhich Nikolai Rimsky-Korsakov used in as the libretto for an opera of the same name.

The play makes significant use of the music of Mozart, Salieri and other composers of the period. The composer Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart and promises to explain himself.

The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart but has heard of him and his music. He adores Mozart's compositions and is thrilled at the chance to meet him, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart he is deeply disappointed to find him lacking the grace and charm of his compositions.

Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber.

amadeus ending

Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. A devout Catholic all his life, Salieri cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of retaliating against his Creator. Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have.

On more than one occasion, only the intervention of Joseph II, Holy Roman Emperor allows Mozart to continue interventions which Salieri opposes and then is all too happy to take credit for when Mozart assumes it was he who intervened.

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Salieri humiliates Mozart's wife when she comes to Salieri for aid. He smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's inability to appreciate Mozart's genius.

Salieri attempts suicide with a razor in a last attempt to be remembered, leaving a confession of having murdered Mozart with arsenic. He survives and his confession is met with disbelief, leaving him to wallow once again in mediocrity. Shaffer used artistic licence in his portrayals of Mozart and Salieri. Documentary evidence suggests that there may have been some occasional antipathy between the two men but the idea that Salieri was the instigator of Mozart's demise is not taken seriously by scholars of the men's lives and careers.

While historically there may have been some rivalry and mild tension between Mozart and Salieri, there is also evidence that they enjoyed a relationship marked by mutual respect. He also conducted some of Mozart's works, in Mozart's lifetime and afterwards. Writer David Cairns called Amadeus "myth-mongering" and argued against Shaffer's portrait of Mozart as "two contradictory beings, sublime artist and fool", positing instead that Mozart was "fundamentally well-integrated".

Cairns also rejects the "romantic legend" that Mozart always wrote out perfect manuscripts of works already completely composed in his head, citing major and prolonged revisions to several manuscripts see: Mozart's compositional method.

Robbins Landon commented that "it may prove difficult to dissuade the public from the current Schafferian view of the composer as a divinely gifted drunken lout, pursued by a vengeful Salieri.

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